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Amanda Leigh
MANDY MOORE
Release Date: May 26th, 2009
Produced and Arranged by Mike Viola
Genre: POP
Label: Storefront Records
Pre-order it on iTunes (click)
Album Credits
Produced and Arranged by Mike Viola
Recorded and Mixed by Ducky Carlisle at Ice Station Zebra Medford Massachusetts
Strings and Woodwind arranged
by Paul Ahlstrand
Mastered at SAE by Roger Seibel
Merrimack River
Music: Mike Viola
Lyrics: Moore/Mike Viola
Guitar, Vocal: Mike Viola
Bass: Jesse Flack
Pedal Steel: Tom Beliveau
Violin: Michael Rosenbloom
Violin: Lisa Crockett
Viola: Sue Culpo
Cello: Ron Lowry
Fern Dell
Music and Lyrics: Moore/Mike Viola
Guitar, Tack Piano, Hohner D-6 Clavinet: Mike Viola
Upright Bass: Jesse Flack
Drums: Chris Anderson
Baritone/Alto Sax: Paul Ahlstrand
Violin: Michael Rosenbloom
Violin: Lisa Crockett
Viola: Sue Culpo
Cello: Ron Lowry
Harmonies: Mike and Mandy
I Could Break Your Heart Any Day Of The Week
Music: Mike Viola
Lyrics: Moore/Mike Viola
Clavinet, Martin Acoustic, Bass: Mike Viola
Drums: Ducky Carlisle
Claps: Rachel Powell, Kevin Hanna, Melissa Landrin
Harmonies: Mike, Mandy, Lori McKenna
Pocket Philosopher
Music and Lyrics: Moore/Mike Viola
Tack Piano, Bass: Mike Viola
Drums: Ducky Carlisle
Percussion: Mandy, Mike and Ducky
Violin: Michael Rosenbloom
Violin: Lisa Crockett
Viola: Sue Culpo
Cello: Ron Lowry
Flute/Alto Flute: Tim Mayer
Flute/Piccolo Flute/Clarinet: Alec Spiegelman
Harmonies: Mike, Mandy, Mike Gent
Song About Home
Music and Lyrics: Moore/Viola/George
Harmonies: Mike Viola, Mandy, Tracy Bonham
Martin Acoustic Guitar: Mike Viola
Flute/Alto Flute: Tim Mayer
Flute/ Bass Clarinet/Clarinet: Alec Spiegelman
Everblue
Music and Lyrics: Moore/McKenna
Wurly, Farfisa Bass, Acoustic Guitar, Nashville Guitar: Mike Viola
Drums: Ducky Carlisle
Merrimack Reprise
Music: Mike Viola
Baby grand piano: Daniel Clarke
Toy Piano: Mike Viola
Violin: Tracy Bonham
Love To Love Me Back
Music and Lyrics: Moore/Mike Viola /George
Nashville Guitar, acoustic, Bass: Mike Viola
Drums: Ducky Carlisle
Pedal Steel: Tom Beliveau
Hammond Organ: Daniel Clarke
Harmonies: Mike Viola, Tracy Bonham
Indian Summer
Music and Lyrics: Moore/Mike Viola /George
Piano, harpsichord, Bass: Mike Viola
Hammond Organ: Daniel Clarke
French Horn: Ken Pope
Harmonies: Mike Viola , Mandy, Ryan Adams
Nothing Everything
Music and Lyrics: Moore/Mike Viola
Harpsichord, Bass: Mike Viola
Drums: Ducky Carlisle
Violin: Michael Rosenbloom
Violin: Lisa Crockett
Viola: Sue Culpo
Cello: Ron Lowry
Harmonies: Mike Viola, Mandy, Lori McKenna
Bug
Music: Mike Viola
Lyrics: Moore/Mike Viola
Martin acoustic guitar: Mike Viola
Harmonies: Mike Viola, Mike Gent
Fiddle: Tracy Bonham
All Songs written by: Mandy Moore, Mike Viola except "Everblue" written by: Mandy Moore, Lori McKenna "Song About Home", "Love To Love Me Back", "Indian Summer" written by: Mandy Moore, Mike Viola, Inara George All Songs Published by: Songs of Universal, Inc./Mandy Moore Music (BMI), (c) 2009 Urban Birdsongs/EMI (ASCAP) All Rights Reserved Used by Permission except "Everblue" published by: Songs of Universal, Inc./Mandy Moore Music (BMI), Melanie Howard Music, Inc. (ASCAP) "Song About Home", "Love To Love Me Back", "Indian Summer" published by: Songs of Universal, Inc./Mandy Moore Music (BMI), (c) 2009 Urban Birdsongs/EMI (ASCAP) All Rights Reserved Used by Permission, EMI April Music Inc. o/b/o Itself And Inara Music (ASCAP)
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Mandy Moore: Amanda Leigh
“I'm fully aware that when some people hear my name in a musical context, it's not often equated to anything earth-shattering. Yet, in many ways, this new record finds itself in a similar vein to the previous one, "Wild Hope." While “Amanda Leigh” was recorded in a much more concise period of time, both albums just feel like a real body of work, more connected to each other – both personally and musically.
When starting to really brainstorm about where the next musical venture should live, I decided to reach out to a few favorite artists of mine to see if they'd be interested in collaborating. I met Mike Viola through a mutual friend, Inara George, and within minutes of our first encounter, the mere mention of my love for Paul McCartney’s “Ram” set our working relationship in motion. Before I knew it, we were sitting around a microphone in his home studio writing a song. I quickly realized that Mike and I shared a love of so much of the same music and he innately understood the direction my music was taking me and where I wanted to take the music. Although it was immediately clear in my mind, I'm not sure I even asked Mike to produce the album; I just assumed he would…thankfully our collective assumptions and hopes prevailed.
Suffice it to say, our common admiration (or perhaps, obsession) for the likes of Todd Rundgren, Joni Mitchell, CSNY and Nilsson, among many others, ran amok throughout the writing and eventual recording experience together.
From my perspective, the process of co-writing is rather vulnerable and can often be fairly hit or miss. It really takes the right partnership to allow honesty and comfort to reign. What worked so well with Mike and I was that we obviously brought different things to the table but worked from the same place.... we had one common interest in mind. We pushed one another and never thought twice about fearlessly stepping up to the plate with any and all ideas.
We toyed with a number of ways to record the record….turn my house into a recording studio, go the conventional route of finding a great space in L.A. and even the idea of combining these two avenues. Mike had often talked about including his friend, Ducky Carlisle, who was not only an encyclopedia of music but also a kick-ass drummer with a super cozy studio in the basement of his home outside of Boston. Sure, it was a deviation from the way I've recorded music in the past, but it felt like the only way to go about working on this record.
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Wild Hope
MANDY MOORE
Release Date: June 19, 2007
Producer(s): John Alagia
Genre: POP
Label: Firm Music
Buy it on iTunes (click)
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Mandy Moore: Wild Hope
“What a great surprise...Mandy Moore has turned into a sophisticated songwriter whose new sound fits cozily alongside that of Regina Spektor, Fiona Apple and Sarah McLachlan rather than all the pop tarts she used to be compared to...this is music destined for that mood-setting montage during the last 10 minutes of Grey's Anatomy (and yes, that's a great thing).”
- Shelly Ridenour, Entertainment Editor, JANE Magazine
“Wild Hope is the gratifying sound of a singer finally finding her comfort zone. Gone is the sugary pop of Moore’s early career, replaced instead by thoughtful musings on love and life...an album full of subtle, but undeniable hooks.”
- Billboard
“Mandy Moore didn't have to take her music by the scruff of its neck; she could have kept on showing up on time, singing expensive tracks tailored for her by other people. But she knew that wasn't the way of awesomeness. So she locked into her own head and her love of artists such as the Weepies and Rachel Yamagata. This music is the successful sound of Moore's drive to supply something greater than product.”
- James Hunter, contributor to Rolling Stone
“Just when you think you have Mandy Moore's number, it turns out she gave us a fake one. Wild Hope is a surprise and a stunner!”
- Harp
“Wild Hope shows impressive range. Here's hoping Mandy Moore's voice stays with us for a long time to come.”
- Paste
“This is Mandy Moore – the sensible, smart actress and musician. The 23-year-old has reinvented herself, smartly, a half dozen times since she left her bubblegum-pop days behind, most recently reemerging as singer-songwriter with her new album, Wild Hope.”
- Tom Chiarella, Esquire
“Wild Hope shows an altogether more mature and competent Mandy Moore. And in a world where people are actually eager to fit into molds, it’s nice to see Moore breaking hers.”
- Randy Harward, Harp
“From the moment dreamy ‘Extraordinary’ opens Wild Hope with its violins and bass solo, your preconceived notions of what Moore’s music is about will go poof.”
- Crystal Meers, Nylon
“With the release of her new song ‘Extraordinary’, pop star Mandy Moore has reinvented herself as a singer-songwriter.”
- Suzanne Zuckerman, InStyle
“With more than 7 million albums sold and roles in 11 movies behind her, Moore has plenty to be grateful and joyful about”
- Dan Aquilante, New York Post
“If she’s not a pop archetype, then Moore’s fifth, largely autobiographical album, Wild Hope, asks who she is. Moore is, of course, the modern woman.”
- Alex Gartenfeld, Paper
With a record that should establish her as a writer/artist to be reckoned with, Moore’s willingness to keep chasing her music is ablaze.”
- Holly Gleason, American Songwriter
“Moore’s fifth effort is a breezy summer album that feels like a stunning declaration of independence…Moore can rest assured that the remarkably catchy Wild Hope is anything but trite or blah.”
- Jimmy Draper, Time Out New York
“The tunes are catchy and heartfelt, as Moore moves from lush ballads to acoustic folk that recalls Patty Griffin ‘It’s been good, getting to know me more’ she confesses in ‘Gardenia’, and with songs so warmly soul-searching, it’s easy to second that emotion.”
- Douglas Waterman, Spin
“Mandy Moore has finally made an album so consistently strong that even naysayers may end up acknowledging this singer-actress for the talent she is….From the potent opener, ‘Extraordinary’, to the tender closer, ‘Gardenia’, Moore’s rich, country-tinged voice holds it all together with unmistakable confidence.”
- Nicole Pensiero, The Philadelphia Inquirer
“Each time we wrote, I'd be blown away by how honest and ballsy she was," says country musician Lori McKenna, who co-wrote three songs with her. Wild Hope…is her bid to join the earthy-crunchy singer-songwriters she admires, and it carries the feeling of someone coming to grips with her past.”
- Amy Kaufman, Los Angeles Times
“After four years, the singer returns with an album that is altogether different from anything she's ever done before. Having already attempted to break herself from the expected mold via 2003's covers album Coverage, Moore took her time to create what is easily the best work of her career with Wild Hope.”
- Absolutepunk.net
“On Wild Hope Moore leaves behind the synthesizer-laden songs about crushes and teenage lust that made up the majority of her pop music career….The album is a mature musical makeover.”
-Amy Farnsworth, Boston Globe
“Her new CD, the aptly titled Wild Hope, is a determinedly adult singer/songwriter record: strummy guitars, melancholic keyboards, gently rocking Americana drums, intense lyrics about breaking up and standing on your own two solid, womanly feet. It's well-played, well-meaning, fair-trade-only-coffeehouse music and just about as far away as Moore can get from the bubblegum that made her famous.”
-Meredith Kahn Rollins, Blender
“With [Wild] Hope, Moore is aiming to raise the stakes. The album, a collection of spare, sweetly pensive folk-pop songs produced by John Alagia, marks Moore's debut as a songwriter.”
- Elysa Gardner, USA Today
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